Anna Waronker/Teddy Thompson - Largo

Tori Amos/Devlins - Open Air Theatre

The highlight for me was a disco version of Raspberry Swirl.

Liz Phair - Montezuma Hall

This was Liz Phair's first big tour, and it showed.  I remembered her being very nervous - a lack of confidence resulted in a tentative, disappointing performance.  Fortunately, she has since gained a lot of experience and is now a touring pro.

Anna Waronker - Largo

Jesus & Mary Chain/Possum Dixon - Coach House

My faith in rock and roll has been restored.  However, so has my belief in the cynicism of the music business.  On September 12, I had the distinct pleasure of seeing the Jesus & Mary Chain blow up on stage.  Vocalist Jim Reid was literally falling down drunk.  He was unable to remember most of the words to the songs, and he wouldn't have known when to sing them if he had been able to remember.  I was excited!  I had a great time, seeing the Chain as they must have been at the beginning of their career.  Back then, they were known for their temperamental live shows, often taking the stage for 20 unruly minutes, and no more, of noisy rock.  This was spontaneity and unpredictability, everything rock and roll should be about.  By the third song, Jim had given up even trying to sing and had resorted to banging a tambourine out of time to the music.  He ended up throwing his microphone and then swinging his mic stand hard against the floor, barely missing his brother, guitarist William Reid.  After several failed attempts to continue on with the show, the band got pissed off at the whole situation and left the stage.  Projectiles and booing from the audience saw them on their way.  The band members obviously blamed William for letting Jim get so drunk.

Well, it turned out that they were giving out refunds for the show.  Even though the band were on for 25 minutes, I guess that doesn't constitute a performance for contractual purposes.  In my own humble opinion, people should have known that the Chain were volatile and that there was the possibility that the live show would consist of a very short set of noise.  Oh well, I'm not going to complain about getting my money back.  In fact, I used that money to get a ticket to the following night's show.  After all, I had only seen half the story and I was anxious to see how it would all turn out.

So, I again made a pilgrimage to see the Chain live.  The stage setup was pretty much the same as the previous night and Jim seemed relatively sober.  However, William was missing!  His mic was set up and his amp was there, but he just did not bother to show up for the concert!  Rock and Roll!  The Chain, or what there was of it, proceeded to blast through their set and two encores, playing for a full hour.  Unfortunately, it was obvious that they were just fulfilling their contractual obligations.  They didn't bother to compensate for the loss of William and just did the songs without his parts.  Many times, where I expected a guitar part to come in during a break in the vocal, there was nothing.  The band did not seem very energetic: they were just punching the clock.  This show was nothing like the Chain concert I had recently seen at the Palace in June.  Now THAT had been a concert, full of life, energy and excitement.  This night was the epitomy of the Great Rock and Roll Swindle.  I'm sure that after losing a bucketload of money the previous night, the band were under severe pressure to at least give a semblance of a performance.  The sad thing was, without the context of the previous night, the second night's audience had no idea how lacking the show was.  At least I came away with bragging rights to seeing the Chain blow up on stage.

Jesus & Mary Chain - House of Blues

Thrill Kill Kult/Cirrus/Beatmistress - Hollywood Athletic Club

Morcheeba/Sean Lennon - Rage